Children's movies can sneak by without a plot—as
long as adults aren't an intended audience.
Some have even managed to appeal to adults as much as children, an extra
incentive for parents to spend their money at the movie theatre. But
"Jimmy Neutron: Boy Genius" can't decide what it wants to
do: frolic in childish revelry or fling out witty one-liners to tantalize
adults.
This oscillating direction makes the movie more dizzying than the light-speed,
multi-hued color explosion that takes over the screen when director
John A. Davis latches onto his inner child with an unrelenting fist.
Fast-paced for the fun of it, "Jimmy Neutron" will—thankfully—leave
most parents in the dust.
But when Davis and co-writer Steve Oedekerk abandon their preteen days,
they manage some genuinely funny moments that had me giggling with childish
abandonment.
At its heart, "Jimmy Neutron" is a story about a boy and his
robotic dog—the aptly named Goddard—and their unexpected
mission to space to rescue the parents of the world who have been abducted
by aliens—an "advanced civilization" that finds earth
thanks to a toaster satellite Jimmy launched into space with the express
purpose of making contact with the translucent star voyagers (despite
his parents' warning never to talk to strangers). Along for the interstellar
journey (on modified carnival rides) are the rest of the children at
Jimmy's school, each one filling a particular stereotype, including
Jimmy's best buds Carl and Sheen, the cowardly asthmatic and the gaming
advocate.
Through a romp of vivid inventions and "what do you know, the chimney
fell off again?" parents, "Jimmy Neutron" sets out simply
to have fun, even if it goes about it in a confusing, puerile way. From
the time spent focused on Jimmy's creations, it's obvious the creators
enjoy delving into the simplicity of a child's mind and making up inventions
that could work on brain power alone. And the creation of Goddard, Jimmy's
ever-faithful robotic dog—with handy fire extinguisher and "play
dead" trick installed—is truly a pet for any occasion, including
space missions.
Davis and Oedekerk have their moments outside unadulterated silliness,
making pointed observations about their lack of plot and plausibility
and proving some talent is buried beneath the meandering script. "Jimmy
Neutron" even sports a few clever fades between scenes, demonstrating
Davis does possess some skill in his directing—somewhere. Given
the chance to write, produce and direct a movie with a specific audience
in mind (and free from the marketing ploys of Nickelodeon), I don't
doubt Davis and Oedekerk could create a witty piece of work. But for
now, the two are left bobbing out in space with the debris of their
script and Neutron's classmates, more than a little hopelessly lost.
While "Jimmy Neutron" may reel in children with its bright
computer animation, light-speed action and the fulfillment of that "no
parents" dream, adults may expect to leave with a headache. Even
though the post-pubescent set might enjoy the allusions to "Star
Wars," "Star Trek" and even "Dune," it's not
worth muddling through the rest of the children's scientific fantasy.
Beyond microchip mutt Goddard and Jimmy's other inventions (including
the girl-eating plant), parents should only brave the theatre for this
one if their children have been really good for Christmas. And maybe
next time the creators will figure out making a movie doesn't have to
be rocket science.